Posts tagged 2000s
Jeffrey Becom

In his photography, Jeffrey Becom combines an architect’s love of geometry, pattern and texture with a painter’s sensitivity to color, light, and composition. He spent a decade creating his series of photographs on the Mediterranean, collected in the book Mediterranean Color with Pulitzer Prize-winning critic Paul Goldberger. Becom then began photographing throughout Mexico and Central America, documenting the traditions of the living Maya in his book Maya Color. Having recently voyaged to India, Becom’s latest work depicts the beauty and power of the colorful traditions of Indian architecture. His extraordinarily vivid images are also a testimony to his eye for form and composition. His photographs are represented in public and private collections throughout the world.

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Linda Butler

Since 1985 Linda Butler has worked as an independent art-photographer and is known for her explorations of other cultures. Her most recent book, Yangtze Remembered: The River Beneath the Lake, is an historical document of the Three Gorges Dam project in China. During a three-year period (from 2000 – 2003) Butler made eight trips to China. She captured the complexity of the Three Gorges Project and the beauty of the Yangtze before life was changed forever by the dam. Through her photographs we see common people, architectural interiors and dramatic landscapes. We watch the destruction of the old way of life and the construction of the new in before-and-after photographs of the river and its shores. Published by Stanford University Press (©2004), Yangtze Remembered explores the historical and environmental context of the dam through 109 photographs and 55 pages of text. Butler’s other books include Italy: In the Shadow of Time (Rizzoli International ©1998), Rural Japan: Radiance of the Ordinary (Smithsonian Institution Press ©1992), and Inner Light: The Shaker Legacy (Knopf ©1985).

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Sparky Campanella

Sparky Campanella is a Los Angeles based self-taught photographer who switched careers in 2001 from software marketing to fine-art photography. His figurative works are typically conceptual and abstract, with a minimal aesthetic. Sparky grew up in Pittsburgh and has been photographing almost as long as he’s been walking. He has shown his work in group exhibitions nationally including Center for Photography at Woodstock, Woodstock; Umbrella Arts, NYC; The Print Center, Philadelphia; Texas Photographic Arts, San Antonio; SF Camerawork, San Francisco; Gallery 825, Los Angeles; and Irvine Fine Arts Center, Irvine. He holds an undergraduate degree from Duke University and a graduate degree from Stanford University. He has been an instructor at the Harvey Milk Institute in San Francisco and at Prescott College in Arizona. He has been awarded residencies at the School of Visual Arts in New York City and Anderson Ranch in Colorado.

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Patty Carroll

Patty Carroll has been known for her use of highly intense, saturated color photographs since the 1970’s. Her most recent project, “Anonymous Women,” consists of a 3-part series of studio installations made for the camera, addressing women and their complicated relationships with domesticity. By camouflaging the figure in drapery and/or domestic objects, Carroll creates a dark and humorous game of hide-and-seek between her viewers and the Anonymous Woman. The photographs are published as a monograph, Anonymous Women, officially released in January, 2017 by Daylight Books.

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Bob Kolbrener

Bob Kolbrener's subjects, from landscapes to portraits, from symbols of man encroaching on nature to humorous signage, are all carefully and thoughtfully executed. A show with Brett Weston in Los Angeles over 35 years ago launched his work. Since then, it has been exhibited throughout the United States as well as in Austria, China, Indonesia and Japan. With photographs in numerous private and corporate collections, including Texaco, Polaroid, Southwestern Bell and A. G. Edwards, his images are also in collections at institutions such as the Saint Louis Art Museum, the Monterey Museum of Art, the High Museum of Art and Washington University. Kolbrener began conducting workshops with Ansel Adams at Yosemite. In the past four decades since, he has continued teaching at other workshop venues in addition to serving as a guest lecturer at a number of universities and museums.

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Paul Kozal

Paul Kozal is a self taught photographer, has been devoting his life to the exploration of fine art photography since 1989. Using black and white film he creates toned and hand-tinted gelatin-silver prints. Carefully masking significant portions of a print, Kozal selectively tones in selenium to render a rich purple-brown color or with sepia that produces a warmer tone. Often, he will apply both tones, in separate sections to the same photograph or hand-color with pencils and watercolors. Kozal also works in color printing Fuji Crystal Archive and Kodak Metallic prints. His subject matter consists mostly of landscapes of the Southwest and California.

His photographs have been selected for many prestigious national and international juried exhibitions and won many awards. He is represented in several galleries throughout the United States. His photographs are in numerous public and private collections including Tokyo Photographic Culture Center, Cantor Center for the Arts and the Monterey Museum of Fine Art.

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Roman Loranc

Roman Loranc was born in Bielsko-Biala, Poland, in 1956 and immigrated to the United States in 1981. Moving to California in 1984 rekindled his feeling for landscape photography, and since settling in the Central Valley, Loranc has increasingly turned to subjects close to home: the delicate wetlands beneath the Pacific Flyway, the stirring and primeval contours of the Diablo Range, and the sinuous courses and radiant surfaces of once mighty rivers. Loranc’s work marks a return to landscape photography as intimate encounter with land and psyche. His work has been exhibitied in many public and private galleries was featured in the best-selling anthology Highway 99: A Literary Journey through California's Great Central Valley.

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Abelardo Morell

Abelardo Morell was born in Havana, Cuba in 1948. He immigrated to the United States with his parents in 1962. Morell received his undergraduate degree from Bowdoin College and his MFA from The Yale University School of Art. He has received an honorary degree from Bowdoin College in 1997 and from Lesley University in 2014.His work has been collected and shown in many galleries, institutions and museums, including the Museum of Modern Art, The Whitney Museum of American Art, the Metropolitan Art Museum in New York, The Chicago Art Institute, The San Francisco Museum of Modern Art, The Houston Museum of Art, The Boston Museum of Fine Art, The Victoria & Albert Museum and over seventy other museums in the United States and abroad. A retrospective of his work organized jointly by the Art Institute of Chicago, The Getty in Los Angeles and The High Museum in Atlanta closed in May 2014 after a year of travel.

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William Neill

William Neill, a resident of the Yosemite National Park area since 1977, is a landscape photographer concerned with conveying the deep, spiritual beauty he sees and feels in Nature. Neill's award-winning photography has been widely published in books, magazines, calendars, posters, and his limited-edition prints have been collected and exhibited in museums and galleries nationally, including the Museum of Fine Art Boston, Santa Barbara Museum of Art, The Vernon Collection, and The Polaroid Collection. Neill received a BA degree in Environmental Conservation at the University of Colorado. In 1995, Neill received the Sierra Club's Ansel Adams Award for conservation photography.

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Manuello Paganelli

Manuello Paganelli grew up in Santo Domingo, Italy and Puerto Rico. After a mentorship with Ansel Adams, he worked as a photojournalist at the Chattanooga Times. In 1989, he began to explore Cuba, its land, its people, and its complex relationship with the USA. In 1995, he had his first solo photo show of his work on Cuba and that same year earned him a fellowship grant. The Washington Post wrote "Manuello Paganelli's Cuban photographs are a brilliant window on a land and people too long hidden from North American eyes. Working in the tradition of Cartier-Bresson and Robert Frank, Paganelli brings an artist's eyes and a native son's sensibility to his superb photographs."

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Diane Rosenblum

Diane Rosenblum’s heavily blurred and color infused photographs of plants and flowers range from nearly representational to almost entirely abstract. Made with experimental camera techniques, these images reach towards the numinous. They are a hazy dream memory or a future vision of a world of light and color. They explore a state of being like that induced through meditation, giving the sensation of being in a garden or remembering a garden. These lush photographs function to calm the mind and instill quiet sense of tranquility and elation.

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