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W E S T O N | G A L L E R Y
Curating fine art collections since 1975!

HAROLD DAVIS

Harold Davis is an internationally-known digital artist and award-winning professional photographer. He is also the author of many bestselling photography books including The Way of the Digital Photographer (Peachpit Press, awarded as a Best Photography Book of the Year by Photo.net). Harold’s book, Achieving Your Potential As a Photographer: A Photographer’s Creative Companion and Workbook (Focal Press), has been termed “a great accomplishment” by Steven Pressfield.

His Photographing Flowers (Focal Press) is a noted photography “classic,” and is rated the Best Guide to Flower Photography by Digital Photographer Magazine. Harold Davis’ latest book, The Photographer’s Black & White Handbook (Monacelli Press, distributed by Random House), combines technique with travel adventure stories in an art-book presentation.

flowers
flowers

flowers

Poppies

flower

flower

Camellia Japonica

Neon pink and magenta poppies on black background

Neon pink and magenta poppies on black background

Poppies Dancing on Black

bridge with light rays

bridge with light rays

Bridge of light

motorcycle moter dented

motorcycle moter dented

Falcon Motorcycle II

mountains

mountains

Panorama ~ Whitney Crest

flower

flower

Clematis on Black

flowers

flowers

Clemantis

flowers

flowers

Flowering Dogwood and Friends

agave plants

agave plants

agaves

mountains lake

mountains lake

Badlands

flower

flower

Dahlia

flowers

flowers

Nature's Palette

flowers bowl

flowers bowl

Orchids in Blue Bowl

flowers

flowers

Salutation to the Sun

flowers

flowers

Transluscency of Rosa

flowers xray

flowers xray

X-Ray Floral Medley Fusion

Flowers

Flowers

Flowers

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flowers
flower
Neon pink and magenta poppies on black background
bridge with light rays
motorcycle moter dented
mountains
flower
flowers
flowers
agave plants
mountains lake
flower
flowers
flowers bowl
flowers
flowers
flowers xray
Flowers
 
 
 

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WESTON GALLERY
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Weston Gallery Inc.
6th Avenue at Dolores & Lincoln,
Carmel, CA,
USA
831.624.4453 davi@westongallery.com
Hours
Tue 11am - 5pm
Wed 11am - 5pm
Thu 11am - 5pm
Fri 11am - 5pm
Sat 11am - 5pm
Sun 11am - 5pm
 
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Just in, a 16x20” of George Tice’s “Petit’e Mobil Station, Cherry Hill, New Jersey” taken in 1974. A quintessential capture of Americana, George referred to these studies as his “urban landscapes.”#georgetice Just in time for summer…new work by Iranian-born artist Mina Afshari! @fromourmarket #floralstudy #stilllife #marketday #womenphotographers #summervibes Happy Father’s Day GP! “Edward Weston” by Ansel Adams made in 1945…#happyfathersday #edwardweston #anseladams #favoritetree #iykyk
Thanks for stopping by @cturlington! And all the work you do for @everymomcounts @runteamemc! #everymothercounts #bigsurmarathon #makeachange #bigsur #carmel Pepper just in…and reminded of this funny Iron Man cameo in Pepper Pott’s office of the iconic pepper masterpiece by Edward Weston. Although he NEVER printed this large! 😂 Pepper 30, 1930. Edward Weston Archive. © Center for Creati
Love seeing our artist’s work in their “forever homes!” “De Haro Street” by Sparky Campanella explores the relationship between the natural and man-made worlds.
Interior Design: @pulpdesigns
Photography: Cody Ulrich @cod Just in…Edward Weston’s iconic “Nude in Doorway” ~ 227N taken in 1936. The print made by Cole Weston from the original negative is in beautiful condition. Edward didn’t care for the shadow across her arm; Charis the bob Happy Holidays…off to a new home “Melancholic Tulip” by André Kertész.

This photograph was made on February 10, 1939…a time of year when melancholy moods strike even normally happy and productive natures, and
Paris + Michael Kenna = summer highlight

Now through September 1 visit the Paris metro station of the Montparnasse - Bienvenüe station between line 4, 6 and 13 to enjoy these 34, larger than life Michael Kenna works. Contact us for original sig


WESTON GALLERY PROUDLY EXHIBITS ORIGINAL WORKS BY

Featured
Berenice Abbott
Berenice Abbott

Berenice Abbott left the American Midwest in 1918 to study in New York City, Paris, and Berlin. In Paris she became an assistant to Man Ray and Eugène Atget. In 1925 she set up her own studio and made portraits of Parisian artists, writers, collectors and expatriates. She retrieved and catalogued Atget's prints and negatives after his death. In the 1930s she photographed New York's neighborhoods for the WPA Federal Art Project, documenting its changing architecture; many of the photographs were published in Changing New York (1939).

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Ansel Adams
Ansel Adams

Ansel Easton Adams was known for his black and white photographs of the California's Yosemite Valley. Adams was also the author of numerous books about photography, including his trilogy of technical instruction manuals (The Camera, The Negative, and The Print). He co-founded the photographic association Group f/64 along with other masters like Edward Weston, Willard Van Dyke, Imogen Cunningham and others. He invented the zone system, a technique which allows photographers to translate the light they see into specific densities on negatives and paper, thus giving them better control over finished photographs. Adams also pioneered the idea of visualization (which he often called 'previsualization', though he later acknowledged that term to be a redundancy) of the finished print based upon the measured light values in the scene being photographed.

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Mina Afshari
Mina Afshari
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Eugène Atget
Eugène Atget

The work of Eugène Atget is one of the richest pictorial embodiments of French culture. Working as a photographer mainly in and near Paris from the late 1890s until his death in 1927, Atget made a total of about 10,000 individual images. Over the course of his long career he discovered and progressively mastered photography’s capacity to transform plain fact into visual poetry. In the rapid unfolding of modernist photography in the late 1920s and early 1930s, Atget’s work soon became the exemplar of the medium’s new creative power. No major photographer in the half-century following his death was untouched by Atget’s influence. At his death in 1927, the French government purchased a portion of Atget’s negatives; the remaining contents of his studio and greater body of his work were purchased by photographer Berenice Abbott and art dealer Julian Levy. Carefully looked after by Abbott, the collection was later sold to the Museum of Modern Art.

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Morley Baer
Morley Baer

After briefly considering a career in journalism, Morley Baer began his artistic career as a landscape and architectural photographer. Having seen an Edward Weston exhibition in Chicago, Baer’s mind was made up; he was California-bound to pursue photography and to meet Weston himself. Following naval service during WWII, Baer returned to Carmel once again, where Weston was still living. A close friendship was formed between the two photographers over these years. Baer’s work elicits a kind of intimate pleasure, evoking in many a sense of familiarity with what may often be an unknown land. Morley Baer represents a generation of photographers whose aesthetic interest in the landscape was inseparable from their love of the land itself.

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John Baldessari
John Baldessari

John Anthony Baldessari is an American conceptual artist known for his work featuring found photography and appropriated images. He lives and works in Santa Monica, California. Initially a painter, Baldessari began to incorporate texts and photography into his canvases in the mid-1960s. In 1970 he began working in printmaking, film, video, installation, sculpture and photography. He has created thousands of works that demonstrate - and, in many cases, combine - the narrative potential of images and the associative power of language within the boundaries of the work of art. His art has been featured in more than 200 solo exhibitions in the U.S. and Europe.

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Édouard Baldus
Édouard Baldus

Édouard Baldus was born in 1820 in France and worked as a painter in the 1840s photography peeked his interest. He was a founding member of the Societe Heliographique and an important influence to the art of heliogravure, a photomechanical process. He used the calotype process from 1851 and began using collodion wet-plate negatives and albumen prints in 1956. A pioneer of the photographic medium, he documented architectureal monuments of France as well as landscpes, paintings and the documentation of the Rhone Floods. In 1851 he was commissioned by the Comite des Monuments Historiques to photograph monuments in Paris, Fontainebleau, Burgundy, the Dauphine, Normandy, Auvergne and Provence. During 1854-1855 Baldus created 1,500 photographs of a new wing of the Louvre in Paris and was commissioned by Baron James de Rothschild to photograph the railroad lines in France.

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Jeffrey Becom
Jeffrey Becom

In his photography, Jeffrey Becom combines an architect’s love of geometry, pattern and texture with a painter’s sensitivity to color, light, and composition. He spent a decade creating his series of photographs on the Mediterranean, collected in the book Mediterranean Color with Pulitzer Prize-winning critic Paul Goldberger. Becom then began photographing throughout Mexico and Central America, documenting the traditions of the living Maya in his book Maya Color. Having recently voyaged to India, Becom’s latest work depicts the beauty and power of the colorful traditions of Indian architecture. His extraordinarily vivid images are also a testimony to his eye for form and composition. His photographs are represented in public and private collections throughout the world.

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Ruth Bernhard
Ruth Bernhard

In a career spanning more than seven decades, Ruth Bernhard has created an imposing body of work. Distinguished by their exquisite use of light, her images have been internationally recognized and acclaimed by her peers. Radiant still-life studies and nude forms reflect her passionate search for the universal connection of all things. Said by Ansel Adams to be the finest photographer of the nude, Bernhard is associated with the history of Northern California's wealth of eminent photographers, among them Adams, Edward Weston, Imogen Cunningham, and Dorothea Lange. Bernhard's work has been exhibited and included in the permanent collections of major museums and universities in the United States, Europe, Japan, and Mexico, and has been published worldwide.

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Bill Brandt
Bill Brandt

Having apprenticed to Man Ray, Brandt originally began his career working as a photojournalist on assignment. His photography was a singular and idiosyncratic mixture of straight reportage with a consistent, if subtle, streak of strangeness - the legacy of surrealism. He would eventually turn from “straight” photography, so dominant in the post-war culture of the time, towards abstracted images in which figures were distorted or wide-angle lenses used. Highly respected for the intensity and power of his images, Brandt is considered one of the preeminent photographers to have emerged in England.

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Manuel Álvarez Bravo
Manuel Álvarez Bravo

Manuel Alvarez Bravo was one of the founders of modern photography and considered the main representative of Latin American photography in the 20th century. His work extends from the late 1920s to the 1990s. Álvarez Bravo was born in downtown Mexico City on February 4, 1902. He left school at the age of twelve in order to begin making a contribution to his family’s finances after his father's death. He worked at a textile factory for a time, and later at the National General Treasury.

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Wynn Bullock
Wynn Bullock

Wynn Bullock began his photographic career at the age of 42 studying at the Art Center School in Los Angeles, California. A lifelong friend of Edward Weston, his work and influence thrived in Bullock's photographs and in 1968, he became a trustee and chairman of the exhibition committee during the formative years of Friends of Photography in Carmel, California. Bullock is recognized as an American master photographer of the 20th Century. His work is included in over 90 major museum collections around the world including The Museum of Modern Art, The San Francisco Museum of Modern Art, The Hallmark Collection of Photography and The Center for Creative Photography which holds the archives of Ansel Adams, Harry Callahan, Frederick Sommer and Aaron Siskind.

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Harry Callahan
Harry Callahan

Harry Callahan was an American photographer born in Detroit. Self-taught, he began taking pictures in 1938 as a hobby and, inspired by the work of Ansel Adams, began to produce professional-quality photographs in the 1940s. His mature work is said to mingle the precision of Americans like Adams with the experimentalism of Europeans like Lázló Moholy-Nagy. His black-and-white city streetscapes and rural landscapes combine the commonplace with the starkly abstract, exploring contrasts of sunlight and shadow, tone and texture, static buildings and hurried passersby, while his many lovingly distinctive portraits of his wife and daughter are extremely personal and intimate. He sometimes used multiple exposures, and experimented with color slide film in the 1940s, again making color images from 1977 on. An influential figure in modern photography, he taught at Chicago's Institute of Design (1946-61) and the Rhode Island School of Design (1961-77).

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Sparky Campanella
Sparky Campanella

Sparky Campanella is a Los Angeles based self-taught photographer who switched careers in 2001 from software marketing to fine-art photography. His figurative works are typically conceptual and abstract, with a minimal aesthetic. Sparky grew up in Pittsburgh and has been photographing almost as long as he’s been walking. He has shown his work in group exhibitions nationally including Center for Photography at Woodstock, Woodstock; Umbrella Arts, NYC; The Print Center, Philadelphia; Texas Photographic Arts, San Antonio; SF Camerawork, San Francisco; Gallery 825, Los Angeles; and Irvine Fine Arts Center, Irvine. He holds an undergraduate degree from Duke University and a graduate degree from Stanford University. He has been an instructor at the Harvey Milk Institute in San Francisco and at Prescott College in Arizona. He has been awarded residencies at the School of Visual Arts in New York City and Anderson Ranch in Colorado.

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Paul Caponigro
Paul Caponigro

Paul Caponigro is one of America's most significant master photographers. Born in Boston in 1932, he began photographing as a youth at thirteen. He has subsequently sustained an artistic career spanning over forty years, which began in earnest in 1951 and involved studies with Minor White and Benjamen Chinn. Caponigro's first one-man show at the George Eastman house took place in 1958. Since that time he has been widely exhibited throughout the United States and Europe. Two Guggenheim Fellowships and three NEA grants have been awarded to Caponigro over the course of his photographic career in recognition of his singularly masterful and uncompromising artistry. His work forms a visual bridge between the material world of physical forms and the living spirit behind them.

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Patty Carroll
Patty Carroll

Patty Carroll has been known for her use of highly intense, saturated color photographs since the 1970’s. Her most recent project, “Anonymous Women,” consists of a 3-part series of studio installations made for the camera, addressing women and their complicated relationships with domesticity. By camouflaging the figure in drapery and/or domestic objects, Carroll creates a dark and humorous game of hide-and-seek between her viewers and the Anonymous Woman. The photographs are published as a monograph, Anonymous Women, officially released in January, 2017 by Daylight Books.

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Henri Cartier-Bresson
Henri Cartier-Bresson

Henri Cartier-Bresson was persuaded by Robert Capa to call himself a photojournalist rather than an artist or a Surrealist for his first New York show. Best known for his concept of the "decisive moment" in photography. At its best this leads to a dynamic image but easily becomes - even occasionally in the hands of the master himself - a formal stasis. Cartier-Bresson is the recipient of an extraordinary number of prizes, awards and honorary doctorates including the Overseas Press Club of America Award (1948, 1954, 1960, 1964), The A.S.M.P. Award (1953), the Prix de la Société Française de Photographie (1959), the Culture Prize, Deutsche Gesellschaft für Photographie (1975). Capa also persuaded Cartier-Bresson to become one of the founders of Magnum.

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Mark Citret
Mark Citret

Mark Citret has always been intrigued by the everyday wonders of the visual world. The sense of expansive awareness that for Citret is a prerequisite to photography enables him to capture the small everyday flashes of insight that come when we are open to them and often go before we can fully grasp or appreciate them. Sights that most of us tend not to notice—a weathered phone book, an empty bulletin board, a twisted chain link fence—seem full of meaning, made spectacular and somehow poignant through his eye. Citret’s images are a sort of meditation in seeing; though they rarely contain human forms, they are powerful testaments to the relationship between human presence and transitory nature. Fascinated from his earliest work with the delicate nuances possible in black and white, his work with vellum paper allows him to convey the ideas of softer ranges in his work. Luminous and warm, the vellums heighten the sense of everyday epiphany found in his images.

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Paul Coghlin
Paul Coghlin
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Mariana Cook
Mariana Cook
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Imogen Cunningham
Imogen Cunningham

Imogen Cunningham occupies a singular position in the history of American art of the twentieth century. For over half the history of photography, she explored- with innovation and a new perspective- all the major traditions associated with the medium as fine art. She has been most widely acclaimed for the photographs made during the 1920s and 1930s, particularly close-up images of plants and nudes. She also made portraits which are now considered classics in photography, including images of Alfred Stieglitz, Spencer Tracy, and Martha Graham. She was a founding member of the West Coast-based Group f.64, which championed an un-manipulated, direct approach with the camera, or “straight” photography. Her photographs are represented in major collections and museums around the world. The Weston Gallery represents the Imogen Cunningham Trust and have vintage, modern as well as posthumous prints available.

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Edward S. Curtis
Edward S. Curtis
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Eugène Cuvelier
Eugène Cuvelier
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William Dassonville
William Dassonville
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Harold Davis
Harold Davis
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Louis de Clercq
Louis de Clercq
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Robert Doisneau
Robert Doisneau
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Rod Dresser
Rod Dresser
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Sean Du
Sean Du
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Richard Ehrlich
Richard Ehrlich
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