Posts in B
Morley Baer

After briefly considering a career in journalism, Morley Baer began his artistic career as a landscape and architectural photographer. Having seen an Edward Weston exhibition in Chicago, Baer’s mind was made up; he was California-bound to pursue photography and to meet Weston himself. Following naval service during WWII, Baer returned to Carmel once again, where Weston was still living. A close friendship was formed between the two photographers over these years. Baer’s work elicits a kind of intimate pleasure, evoking in many a sense of familiarity with what may often be an unknown land. Morley Baer represents a generation of photographers whose aesthetic interest in the landscape was inseparable from their love of the land itself.

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John Baldessari

John Anthony Baldessari is an American conceptual artist known for his work featuring found photography and appropriated images. He lives and works in Santa Monica, California. Initially a painter, Baldessari began to incorporate texts and photography into his canvases in the mid-1960s. In 1970 he began working in printmaking, film, video, installation, sculpture and photography. He has created thousands of works that demonstrate - and, in many cases, combine - the narrative potential of images and the associative power of language within the boundaries of the work of art. His art has been featured in more than 200 solo exhibitions in the U.S. and Europe.

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Jeffrey Becom

In his photography, Jeffrey Becom combines an architect’s love of geometry, pattern and texture with a painter’s sensitivity to color, light, and composition. He spent a decade creating his series of photographs on the Mediterranean, collected in the book Mediterranean Color with Pulitzer Prize-winning critic Paul Goldberger. Becom then began photographing throughout Mexico and Central America, documenting the traditions of the living Maya in his book Maya Color. Having recently voyaged to India, Becom’s latest work depicts the beauty and power of the colorful traditions of Indian architecture. His extraordinarily vivid images are also a testimony to his eye for form and composition. His photographs are represented in public and private collections throughout the world.

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Ruth Bernhard

In a career spanning more than seven decades, Ruth Bernhard has created an imposing body of work. Distinguished by their exquisite use of light, her images have been internationally recognized and acclaimed by her peers. Radiant still-life studies and nude forms reflect her passionate search for the universal connection of all things. Said by Ansel Adams to be the finest photographer of the nude, Bernhard is associated with the history of Northern California's wealth of eminent photographers, among them Adams, Edward Weston, Imogen Cunningham, and Dorothea Lange. Bernhard's work has been exhibited and included in the permanent collections of major museums and universities in the United States, Europe, Japan, and Mexico, and has been published worldwide.

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Édouard Boubat

Boubat was born in Montmartre, Paris. He studied typography and graphic arts at the École Estienne and worked for a printing company before becoming a photographer. In 1943 he was subjected to service du travail obligatoire, forced labour of French people in Nazi Germany, and witnessed the horrors of World War II. He took his first photograph after the war in 1946 and was awarded the Kodak Prize the following year. He travelled the world for the French magazine Réalités, where his colleague was Jean-Philippe Charbonnier, and later worked as a freelance photographer. French poet Jacques Prévert called him a "peace correspondent" as he was humanist, apolitical and photographed uplifting subjects. His son Bernard Boubat is also a photographer.

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Bill Brandt

Having apprenticed to Man Ray, Brandt originally began his career working as a photojournalist on assignment. His photography was a singular and idiosyncratic mixture of straight reportage with a consistent, if subtle, streak of strangeness - the legacy of surrealism. He would eventually turn from “straight” photography, so dominant in the post-war culture of the time, towards abstracted images in which figures were distorted or wide-angle lenses used. Highly respected for the intensity and power of his images, Brandt is considered one of the preeminent photographers to have emerged in England.

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Manuel Álvarez Bravo

Manuel Alvarez Bravo was one of the founders of modern photography and considered the main representative of Latin American photography in the 20th century. His work extends from the late 1920s to the 1990s. Álvarez Bravo was born in downtown Mexico City on February 4, 1902. He left school at the age of twelve in order to begin making a contribution to his family’s finances after his father's death. He worked at a textile factory for a time, and later at the National General Treasury.

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Wynn Bullock

Wynn Bullock began his photographic career at the age of 42 studying at the Art Center School in Los Angeles, California. A lifelong friend of Edward Weston, his work and influence thrived in Bullock's photographs and in 1968, he became a trustee and chairman of the exhibition committee during the formative years of Friends of Photography in Carmel, California. Bullock is recognized as an American master photographer of the 20th Century. His work is included in over 90 major museum collections around the world including The Museum of Modern Art, The San Francisco Museum of Modern Art, The Hallmark Collection of Photography and The Center for Creative Photography which holds the archives of Ansel Adams, Harry Callahan, Frederick Sommer and Aaron Siskind.

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Linda Butler

Since 1985 Linda Butler has worked as an independent art-photographer and is known for her explorations of other cultures. Her most recent book, Yangtze Remembered: The River Beneath the Lake, is an historical document of the Three Gorges Dam project in China. During a three-year period (from 2000 – 2003) Butler made eight trips to China. She captured the complexity of the Three Gorges Project and the beauty of the Yangtze before life was changed forever by the dam. Through her photographs we see common people, architectural interiors and dramatic landscapes. We watch the destruction of the old way of life and the construction of the new in before-and-after photographs of the river and its shores. Published by Stanford University Press (©2004), Yangtze Remembered explores the historical and environmental context of the dam through 109 photographs and 55 pages of text. Butler’s other books include Italy: In the Shadow of Time (Rizzoli International ©1998), Rural Japan: Radiance of the Ordinary (Smithsonian Institution Press ©1992), and Inner Light: The Shaker Legacy (Knopf ©1985).

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