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Yoshimitsu Nagasaka

Yoshimitsu Nagasaka was born in Wakayama, Japan. Since 1970, he has been photographing Mt. Koyasan, his birthplace, and pursues culture and religion as his subject. He has exhibited his works in many solo and group shows. He was honored with the art prize by the Society of Photographic Science and Technology of Japan in 2004, and for the artist prize by the Photographic Society of Japan in 2007. In 2015, he was also honored with the Regional Cultural Merits Award in Japan. He lives and works in Japan.

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William Neill

William Neill, a resident of the Yosemite National Park area since 1977, is a landscape photographer concerned with conveying the deep, spiritual beauty he sees and feels in Nature. Neill's award-winning photography has been widely published in books, magazines, calendars, posters, and his limited-edition prints have been collected and exhibited in museums and galleries nationally, including the Museum of Fine Art Boston, Santa Barbara Museum of Art, The Vernon Collection, and The Polaroid Collection. Neill received a BA degree in Environmental Conservation at the University of Colorado. In 1995, Neill received the Sierra Club's Ansel Adams Award for conservation photography.

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Sonya Noskowiak

Born in Leipzig, Germany, Sonya Noskowiak spent her upbringing in Chile, Panama, and California. At the age of 19, she started her photographic career in 1929 assisting Johan Hagemeyer. She then went on to work with Edward Weston based in Los Angeles, printing Weston's commercial work for him. She lived and worked with Weston from their meeting until 1934. Noskowiak along with the likes of Weston, Imogen Cunningham and Ansel Adams all worked with large format cameras using the f-stop which allows the sharpest focus and detail at this smallest aperture, f-64, which was the basis for Group f-64's foundation. Their push away from pictorialism showcased works of high contrast and modern abstractions of typical and atypical forms and subject matter.

Noskowiak exhibited her work in the first Group f-64 show at the M.H. de Young Memorial Museum in 1933 and went on to take part in several one woman and group exhibitions gaining much critical acclaim. She opened her own studio in 1935 in San Francisco where she worked until 1965. A large archive of her work is held at the Center for Creative Photography in Tucson. In 1992 The Oakland Museum published a book entitled, Seeing Straight Group f/64.

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